There are movies where the moviemaking overcomes the movie itself. In other words, the script or narrative may be lacking, but the sheer spectacle of the thing makes it
Oy vey is mir. Whether it's Rhea Pearlman or Michelle Pfeiffer or Jessica Lange or Sean Connery, there's always something vaguely racist and condescending about watching
It seems that Sylvester Stallone took a page out of his own book here and went kind of back to the future. Like the first Rocky film, this is a low-key affair. It's not
