I feel like a giant loser. I can't figure out how I feel about this film--at all. It has more problems than I care to list. They aren't small problems, either. They aren't
From its first beat, Magnolia is a complex work of both glorious fantasy and stupefying reality. Harry Nillson's "One," covered perfectly by Amy Mann rings that first
Where to start. Let's start at the beginning--or is it the ending? Am I dreaming or am I awake? Am I maimed or am I still a matinee idol? I wish I knew. I wish Vanilla